The Voice of Fashion

Since 2018

Writings

The Voice of Fashion

Ways of Preening: Notes on the Cannes 2019 Waistland

The Voice of Fashion

Waste Measurements: East versus West

The Voice of Fashion

Khan’s New Clothes

The Voice of Fashion

Why Nirmala Sitharaman’s Saris Matter

The Voice of Fashion

The Sacred and the Profane in Costumes

The Voice of Fashion

Project Streedhan: The Iron Combo

The Voice of Fashion

Wear-y Open Letter to Manyavar

The Voice of Fashion

Red Faced on Black Friday?

The Voice of Fashion

Muse Kashmir: How Should Fashion Represent It?

The Voice of Fashion

Golden Globes 2020: After The Political Capture of The Red Carpet

The Voice of Fashion

Chhapaak: Beyond the Burns Ward

The Voice of Fashion

NaMo’s Veshti: Made in India for China

The Voice of Fashion

Manish Malhotra at LFW: “Piya” comes to Famous Studios with Love & Care

The Voice of Fashion

Oscars 2020 Red Carpet: Not a Joke

The Voice of Fashion

Wendell Rodricks, 1960-2020: Argumentative Action Hero

The Voice of Fashion

What India Wore and How the Trumps Looked

The Voice of Fashion

Should Indian Fashion Take a Political Stand?

The Voice of Fashion

The Great Unmasking

The Voice of Fashion

Storytellers of the Pandemic

The Voice of Fashion

The Post Pandemic Palette: Blue, White and Green

The Voice of Fashion

An Ill-Timed Obituary of the Fashion Hug and Kiss

The Voice of Fashion

Cannes 2020: Requiem to Red Carpet Sexy

The Voice of Fashion

Why Fashion Media Needs Sensitivity Ombudsmen

The Voice of Fashion

The Artisan as a Butterfly in the Garden of Hope

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