The Voice of Fashion

Since 2018

Writings

The Voice of Fashion

LFW x FDCI: Anavila Returns, Wearing Saris on Her Sleeve

The Voice of Fashion

Shubha Mudgal at Paro and the Art of Paying Attention

The Voice of Fashion

Hermes Beauty: How it Connects with Consumer Psychology

The Voice of Fashion

Good Earth’s New Coco Loco: Bath and Body Locomotive

The Voice of Fashion

Tsunamika Comes of Age

The Voice of Fashion

Why Oct-O-Ber is Our Black Eyed Girl

The Voice of Fashion

How To Tell A Crafts Story

The Voice of Fashion

Neeru Kumar: ‘Simplicity Makes a Statement’

The Voice of Fashion

Sutr Santati: India Now Through Textiles

The Voice of Fashion

Archiving For Matter and Memory

The Voice of Fashion

Sustainability: The Problem with the Grandmother Narrative

The Voice of Fashion

Shahab Durazi’s Retro Bombay-Ness

The Voice of Fashion

Editor’s Letter: The Ambiguous Female Gaze

The Voice of Fashion

The Pandemic and The Luxury of Response-Ability

The Voice of Fashion

The Zero ‘Some’ Game of Fashion in 2022

The Voice of Fashion

Letter from the Editor: The Devil in Fashion

The Voice of Fashion

Letter from the Editor: A Tech-Tile Moment

The Voice of Fashion

Vikram Oberoi: “Real Affluence is About Dharma”

The Voice of Fashion

Zegna: Family, Forest, Fabric and Fashion

The Voice of Fashion

Rakesh Thakore’s Towering Textile Legacy

The Voice of Fashion

Wanda Ferragamo: CEO of Balance

The Voice of Fashion

Pitti Uomo 2022: Matter, Material and Men’s Style

The Voice of Fashion

Atlas of Affluence 2022: What, Why and Where We Buy

The Voice of Fashion

The Metallic Kani Goes to the MET